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Frances Myers, A One Act Play , 1984. Aquatint with hand-coloring, collage, and monoprint. 30½ x 35½ inches. Lent by Warrington Colescott

Frances Myers

In A One Act Play, the familiar comic book hero Wonder Woman is confronted by another female character whose blonde hair, beaded necklace, and wrist cuff help identify her as Wonder Woman’s major adversary Queen Clea, ruler over parts of the underwater world of Atlantis.

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Erik Weisenburger, Ursa Memoriam , 1998. Oil on panel, 33¾ x 23 inches. Collection of the Madison Museum of Contemporary Art. Purchase, through Rudolph and Louise Langer Fund.

Erik Weisenburger

At once beautiful and mysterious, the paintings of Erik Weisenburger enchant viewers with their luscious color and intricate detail. Upon first glance, his painting Ursa Memoriam may recall traditional still-life or historical painting, but closer inspection reveals a contemporary voice that presents timeless subjects in new contexts.

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An artwork consisting of four panels, each representing a season through still-life images and other vignettes.

Ellen Lanyon

In Ellen Lanyon’s 1982─83 painting Chromos: Winter I, Autumn II, Spring III, Summer IV, four separate canvases function together as a single work of art that depicts the four seasons. Though Lanyon uses distinct colors and symbols to represent the individual seasons, she links the four separate paintings into a coherent whole by repeating the same motifs.

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Art Green, Regulatory Body, 1974. Oil on canvas, 75 1/4 x 57 1/4 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism.

Lesson Plan | Art Green: Mixed Media Collages – MMoCA

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John Colt Pond Tokens

Lesson Plan | John Colt: Nature in the Abstract — MMoCA

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George Segal

The large sculpture Depression Bread Line by George Segal portrays the experience of many urban Americans who suffered from hunger during the 1930s Great Depression. During this difficult period, which affected the whole world, economies faltered in both industrialized and non-industrialized countries.

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Ed Flood, Aluminum Floater #2, 1974. Acrylic on Plexiglas with aluminum frame, 31 7/8 x 24 5/8 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism.

Edward Flood

Ed Flood’s Aluminum Floater #2 is made from layers of Plexiglas in an aluminum frame. The artwork’s transparency causes its environment to be part of the composition. Organic shapes resembling seaweed, or perhaps amoebae or other microscopic life forms, seem to emerge from the edges of the frame and wriggle across the surface.

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Duane Brissette Moonrise

Duane Brissette

In Moonrise, an apparently festive occasion—people arriving at a brightly lit pavilion for a night of dancing—forms the backdrop for a potentially dangerous encounter. The action takes place in the bucolic surroundings of a lakeside resort.

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Diego Rivera, El sueño (La noche de los pobres)/Sleep (The night of the poor), 1932. Lithograph, 22 5/8 x 15 7/8 inches. Collection of the Madison Museum of Contemporary Art. Bequest of Rudolph and Louise Langer.

Diego Rivera

El sueño (La noche de los pobres), or Sleep (The night of the poor), is a part of a series of lithographs created by Diego Rivera that were published in New York by the Weyhe Gallery in 1932. El sueño portrays a group of Mexican campesinos, or rural peasantry, sleeping huddled together for warmth and support.

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David Bigelow The Spy

David Bigelow

What a lot of rhinos! As many as twenty-one rhinoceros are standing in a plaza surrounded by adobe walls not far from a big city—settings that are very different from the grassland territories of wild rhinos.

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