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Open Today: 12 PM - 6 PM

Mirror Image

February 23, 2019 – May 19, 2019

Fred Stonehouse, Untitled, 1987. Mixed media on paper, 10 7/8 x 8 1/2 inches. Collection of the Madison Museum of Contemporary Art. Purchase, through Arts Midwest with matching funds from the Rudolph and Louise Langer Fund.
Fred Stonehouse, Untitled, 1987. Mixed media on paper, 10 7/8 x 8 1/2 inches. Collection of the Madison Museum of Contemporary Art. Purchase, through Arts Midwest with matching funds from the Rudolph and Louise Langer Fund.
overview

Drawn entirely from MMoCA’s permanent collection, Mirror Image presents the evolution of the portrait from the early twentieth century to the present. A mirrored reflection of the presence of both artist and sitter, portraiture has long been a part of the history of art. While often depicting physical likeness, portraiture also addresses issues of identity and the personality of an individual. The introduction of the photograph, alongside the movement to abstraction, shifted the portrait from an elite mode of documentation to a more conceptual approach of representing self and other.

Today the contemporary practice of portraiture is even more accessible through the ubiquitous social media phenomenon of the selfie. Throughout history, the portrait remains a means for engagement with others and for the memorialization of self. Mirror Image contains over 100 portraits—over half haven’t been on view in over two decades, including 30 works that have never been on view. The exhibition features work by artists Gertrude Abercrombie, Ivan Albright, Manuel Álvarez Bravo, Warrington Colescott, Jim Dine, David Hockney, Alex Katz, Käthe Kollwitz, Henri Matisse, Jim Nutt, Diego Rivera, and Karl Wirsum.

Artwork

Joe Wilfer II. Artist: Santiago Moix. Date: 1995. Medium: woodcut on paper.

Joe Wilfer II

1995

Santiago Moix

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Self-Portrait Mask. Artist: Dennis Nechvatal. Date: 1981. Medium: charcoal.

Self-Portrait Mask

1981

Dennis Nechvatal

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Self-Portrait (Ellis Island). Artist: Lorie Novak. Date: 1988. Medium: Cibachrome print.

Self-Portrait (Ellis Island)

1988

Lorie Novak

Learn more about Self-Portrait (Ellis Island).
He Might Be a Dipdick But They Are a Pair. Artist: Jim Nutt. Date: 1972. Medium: acrylic on paper.

He Might Be a Dipdick But They Are a Pair

1972

Jim Nutt

Learn more about He Might Be a Dipdick But They Are a Pair.
He Might Be a Dipdick But They Are a Pair. Artist: Jim Nutt. Date: 1972. Medium: acrylic on paper.

He Might Be a Dipdick But They Are a Pair

1972

Jim Nutt

Learn more about He Might Be a Dipdick But They Are a Pair.
Cheek. Artist: Jim Nutt. Date: 1990-91. Medium: acrylic on linen with artist's painted frame.

Cheek

1990-91

Jim Nutt

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La Chata / Pug-Nose. Artist: José Clemente  Orozco. Date: 1935. Medium: Punta seca sobre papel / drypoint on paper.

La Chata / Pug-Nose

1935

José Clemente Orozco

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John Wood & Eric Renner, Santa Fe. Artist: Eric Renner. Date: 1976. Medium: gelatin silver print.

John Wood & Eric Renner, Santa Fe

1976

Eric Renner

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Mother and Father. Artist: Jeffrey Silverthorne. Date: 1988. Medium: Cibachrome print.

Mother and Father

1988

Jeffrey Silverthorne

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Portrait of Warrington Colescott. Artist: Stephen  Greene. Medium: pencil on paper.

Portrait of Warrington Colescott

Stephen Greene

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Rudolph Tracy. Artist: Karl Wirsum. Date: 1987. Medium: acrylic on wood.

Rudolph Tracy

1987

Karl Wirsum

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Comic Book Specimen #2, Right Profile. Artist: Ray Yoshida. Date: 1968. Medium: collage on paper.

Comic Book Specimen #2, Right Profile

1968

Ray Yoshida

Learn more about Comic Book Specimen #2, Right Profile.
John Wilde, The Sons of Worse than Bitches Have Put A Hole in My Head!!, 1944. Graphite and ink on paper, 14 x 11 1/2 inches. Collection of the Madison Museum of Contemporary Art. Gift of the artist.
Exhibition Sponsors

Generous support for Mirror Image has been provided by JoAnne Robbins and David Falk; the Theda and Tamblin Clark Smith Family Foundation; Bell Laboratories; Chuck Bauer and Chuck Beckwith; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts; and MMoCA Volunteers.