Press Materials
Terms and Conditions of Use
Images are for media use only, and may only be used for media coverage of the Madison Museum of Contemporary Art, its exhibitions and its permanent collection. Media may only use these images with the permission of the Madison Museum of Contemporary Art. Each image must include the caption and photo credit as provided. Cropping, overprinting, duotones, and color manipulations are prohibited.
Instructions
To download images and media click the Download File links or, if that link is not available for your item, click the thumbnail image to open a larger version for downloading.
Jeffrey Gibson: Like A Hammer |
|
| Jeffrey Gibson (Mississippi Band Choctaw/Cherokee), Like A Hammer, 2014. Elk hide, glass beads, artificial sinew, wool blanket, metal studs, steel, found pinewood block, and fur; 56 × 24 × 11 in. Collection of Tracy Richelle High and Roman Johnson, courtesy of Marc Straus Gallery, New York. Image courtesy of Jeffrey Gibson Studio and Roberts Projects, Los Angeles, California. Photograph by Peter Mauney.
|
|
Nathaniel Mary Quinn: This is Life |
|
 |
Nathaniel Mary Quinn, Big Bertha, 2015. Black charcoal, soft pastel, oil pastel, oil paint, paint stick, acrylic silver leaf, gouache on Coventry Vellum paper. 38 x 41 inches. Collection of the Sheldon Museum of Art, University of Nebraska-Lincoln, Olga N. Sheldon Acquisition Trust, U-6501.2015. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by RCH. |
 |
Nathaniel Mary Quinn, Bring Yo’ Big Teeth Ass Here!, 2017. Black charcoal, gouache, soft pastel, oil pastel, oil paint stick, acrylic gold powder on Coventry Vellum paper. 38 x 38 inches. Collection of Dr. Daniel S. Berger, Chicago. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by Michael Tropea. |
 |
Nathaniel Mary Quinn, Charles Re-Visited, 2015. Black charcoal, soft pastel, oil pastel, paint stick, gouache on Coventry Vellum paper. 50 x 38 inches. Collection of Helyn Goldenberg and Michael Alper. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by RCH. |
 |
Nathaniel Mary Quinn, Choir Rehearsal, 2017. Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum paper. 31 ¼ x 31 ¼ inches. Pizzuti Collection, Columbus, OH. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by Alex Yuzdon. |
 |
Nathaniel Mary Quinn, Erica Easton, 2015. Black charcoal, soft pastel, oil pastel, gouache on Coventry Vellum paper. 30 x 29 ½ inches. Collection of Kathleen Madden and Paul Frantz, New York and London. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by RCH. |
 |
Nathaniel Mary Quinn, Ethan, 2016. Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum paper. 36 ½ x 36 ½ inches. Collection of Natalie Frank, New York. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by Alex Yuzdon. |
 |
Nathaniel Mary Quinn, First and Fifteenth, 2016. Black charcoal, gouache, soft pastel, oil pastel on Coventry Vellum paper. 50 x 38 inches. Collection of Doreen Chambers and Philippe Monrougie. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by Alex Yuzdon. |
 |
Nathaniel Mary Quinn, Junebug, 2015. Black charcoal, gouache, soft pastel, oil pastel, oil paint, paint stick, acrylic silver leaf on Coventry Vellum paper. 41 x 44 inches. Collection of Dr. Daniel S. Berger, Chicago. Image courtesy of the artist and Rhona Hoffman Gallery. Photography by RCH. |
Eye Deal: Abstract Bodies of the Chicago Imagists |
|
 |
Gladys Nilsson, Beautify, 1994. Watercolor, gouache, and collage on two sheets of paper, 8 x 5 1/2 inches (each sheet). Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
 |
Jim Nutt, Rosie Comon, 1967-68. Acrylic on reverse Plexiglas, 37 3/4 x 27 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
 |
Karl Wirsum, Stork Reality, 1985. Acrylic on canvas, 31 7/8 x 22 7/8 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
 |
Philip Hanson, Untitled (Woman Disrobing), 1979. Oil on board with artist painted frame, 27 3/4 x 27 1/4 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
 |
Gladys Nilsson, Smart Dressing, 1989. Watercolor and gouache on paper, 41 3/16 x 29 1/2 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
 |
Ed Paschke, Tudor, 1976. Lithograph in black on paper, 34 3/4 x 28 inches. Collection of the Madison Museum of Contemporary Art. Museum Purchase. |
 |
Christina Ramberg, Vertical Amnesia, 1980. Acrylic on masonite, 47 3/4 x 35 5/8 inches. Collection of the Madison Museum of Contemporary Art. Museum purchase through funds from George and Sally Johnson and he Rudolph and Louise Langer Fund. © The Estate of Christina Ramberg |
 |
Suellen Rocca, Night Light for Little Girl, 1969. Oil on canvas with ruffle, 30 x 22 inches. Collection of the Madison Museum of Contemporary Art. The Bill McClain Collection of Chicago Imagism. |
TNHE |
|
 |
Meg Mitchell, Tenacious Numismatic Hops Exchange (TNHE): a hop garden for unyielding people, 2017. Photo by Nicholas Sadowski. |
 |
Meg Mitchell, Tenacious Numismatic Hops Exchange (TNHE): a hop garden for unyielding people, 2017. Courtesy the artist. |
 |
Meg Mitchell, Tenacious Numismatic Hops Exchange (TNHE): a hop garden for unyielding people, 2017. Photo by Nicholas Sadowski. |
Images Highlighting the Architecture of MMoCA |
|
 |
© Jim Brozek. |
 |
Photo by Romulo Ueda. |
 |
Photo by Nicholas Sadowski. |
 |
Photo by Nicholas Sadowski. |
 |
© Doug Fath |
 |
Photo by Michael Paggie. |
 |
Photo coursey of MMoCA. |
 |
Photo by Sharon Vanorny. |
 |
Photo by Sharon Vanorny. |
 |
Photo by Sharon Vanorny. |
