A leading American printmaker and satirist, Warrington Colescott continues the tradition of Francisco Goya, William Hogarth, and Honoré Daumier. Residing in Wisconsin and long-affiliated with the Department of Art at the University of Wisconsin-Madison, he is widely known for his innovative use of intaglio techniques. In 1970, Aquarius Press (Baltimore, Maryland; New York) invited him to submit a list of texts he might wish to illustrate for a deluxe livre d’artiste—a tradition of matching author and artist that originated in Paris in the late nineteenth century.
What's currently on view at MMoCA
The inaugural exhibition in MMoCA's new Imprint Gallery, a space dedicated to presenting multimedia artwork, will be by L.A.-based artist Kim Schoen. Have You Never Let Someone Else Be Strong? Schoen’s first solo museum exhibition, will be on view to the public starting September 19, with an opening reception and artist-led roundtable discussion on Friday evening, September 18.
The work and world of Natasha Nicholson will be on view in Natasha Nicholson: The Artist in Her Museum at the Madison Museum of Contemporary Art, August 22 through November 8. Nicholson is known for her assemblages and involvement in the contemporary resurgence of Cabinets of Curiosities. This exhibition is a rare opportunity for visitors to view the work of an artist who, by her own admission, never leaves the role of artist, collector, and observer.
In celebration of the Madison Museum of Contemporary Art’s ten-year anniversary in its striking Cesar Pelli-designed building, MMoCA will present Taking Their Place: Recent Acquisitions in Context, on view September 12 through January 3. Drawn exclusively from the museum’s permanent collection, Taking Their Place highlights more than 50 works in various media that have entered MMoCA’s collection within the past decade, several of which are on display for the first time.