Irene Grau is a Spanish conceptual artist who challenges the boundaries of contemporary painting, the perception of color, and the limits of space. Taking the act of painting beyond the studio and off the canvas, she enters into the landscape to discover moments when the power of pure color alters our awareness of the world around us. In Irene Grau: construction season, a solo exhibition on view in MMoCA's State Street Gallery from May 5 through August 5, 2018, Grau will present a new body of work she began last summer during her five-week artist residency in Madison.
Grau's work is grounded in the history of plein air painting, an in-situ practice of landscape painting based on direct observation that was initiated by artists such as Claude Monet, Pierre-Auguste Renoir, and Camille Pissarro in the latter half of the nineteenth century. These Impressionist leaders ushered in future experimentations in modernist art-making, including the most simplified expression of formal abstraction: the painted monochrome.
Playing with the concept and process of plein air painting, Grau traversed the Madison landscape not to recreate specific scenes with pigment on canvas, but to identify existing instances of monochromatic abstraction. She discovered a vernacular form of mark-making in the vibrant, color-coded lines and shapes spray-painted across the streets and sidewalks by utility workers. Appearing random and cryptic to the untrained eye, this sanctioned graffiti points to the subterranean infrastructure of pipes and wires that powers our city. By reframing the overlooked details within our everyday surroundings, Grau transforms a standardized mode of communication used by public works departments across the country into a series of monochrome paintings—plein air paintings not of landscape, but in it.
Generous funding, to date, for Irene Grau: construction season has been provided by the David and Paula Kraemer Fund; the Elizabeth Firestone Graham Foundation; Darcy Kind and Marc Vitale; Dan and Natalie Erdman; Katie Howarth Ryan; Oak Bank; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts; and MMoCA Volunteers.