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Faisal Abdu’Allah: DARK MATTER

September 17, 2022 – April 2, 2023

WHERE: Main Galleries (2nd Floor)

DARK MATTER by British artist Faisal Abdu’Allah explores cultural representation and self-determination.

DARK MATTER includes a selection of the artist’s most celebrated series, as well as a reconstruction of Garden of Eden (2003), an architectural installation the artist created in collaboration with renowned architect Sir David Adjaye. Exploring issues of privilege, exclusion, and the voyeuristic gaze, this interactive piece separates visitors based on genetic traits—in this case, eye color—in order to undermine our perceptions of difference and alienation. With Garden of Eden, Abdu’Allah points to the privileges conferred to certain people based on the nuances of their genetic matter.

In other works Abdu’Allah uses human hair, a carrier of DNA, and focuses on the ritual of cutting hair. Abdu’Allah is also a trained barber, a profession he has fully integrated into his artistic practice, most notably through his community-based Live Salon performances (2006–present). During each Live Salon session, he provides free haircuts to willing museum visitors and engages them in open-ended conversations about issues surrounding contemporary social identity and representation. In Hair Traits (2016–present), Abdu’Allah uses participants’ actual hair, which he blends into a fine powder to render their portrait on paper. Regarding his use of human hair, he explains, “Essentially, it brings their DNA, their identity, into the work. Our hair carries a trace of who we are, and it is extremely political. In the history of post-colonialism, the straighter your hair was, the higher up on the chain of respect you were.”

DARK MATTER will also feature a counter-monument by Abdu’Allah, which he first conceived of several years ago in response to debates about the role of monuments and their removal from public view. His solution was to commission artists of color to create new monuments that represent their own aesthetics, histories, and experiences. Commissioned by MMoCA, Blu³eprint was realized in collaboration with the fine arts team at Quarra Stone Company in Madison and Italy-based master stone carver and sculptor Martin Foot. The counter-monument will be prominently placed at MMoCA as a public work of art.


Exhibition labels are available in English and Spanish. Large-print labels are available in the galleries.

triptych of jacquard tapestries, each showing a person standing
Faisal Abdu’Allah, The Duppy Conqueror (triptych), 2017. Jacquard tapestries, 117 x 60 inches, each. Courtesy of the Artist and Magnolia Editions.

Related Installation


About the Artist

Faisal Abdu’Allah is a British-born, Wisconsin-based artist and barber. He studied in London at the Royal College of Art. He is Professor of Printmaking and Associate Dean for the Arts in the School of Education at the University of Wisconsin–Madison. In 2021, Abdu’Allah was named the Chazen Family Distinguished Chair in Art at UW-Madison.


Photograph artwork of a person posing with their, holding their hands together, and their face concealed by their hood. They wear boots, sweatpants, a plaid shirt, a letterman's jacket, and a hoodie.
Faisal Abdu’Allah, Khalyl, from the series I Wanna Kill Sam, 1993/2022. Inkjet print on aluminum, 78 ¾ x 39 1/3 inches. Courtesy of the Artist and Magnolia Editions.
Jacquard tapestry showing a man standing wearing a suit
Faisal Abdu’Allah, Prince Hall, MWGM Samuel L. Stotts, 2021-22. Jacquard tapestry, 117 x 60 inches. Courtesy of the Artist.
photo etching on paper showing a person's face
Faisal Abdu’Allah, Untitled I from the series Dullah 69, 2010-2012. Photo etching on paper, 16 x 15 inches. Courtesy of the Artist.

Programming & Events

Exhibition Celebration | Opening Reception
Friday, September 17, 2022 • 5–8 PM

MMoCA Cinema | Sunday Matinee |
Sunday, December 4, 2022 • 12 PM & 1 PM (Films recommended by Faisal Abdu’Allah)

Drop-in Tours
Thursday, January 19, 2023 • 4:45 PM • 5:15 PM

The Beginnings of Prince Hall Free & Accepted Masonry in Wisconsin
Thursday, January 19, 2023 • 6–7 PM • A Lecture Featuring Alan Chancellor


Artist Talk and Live Q&A with Faisal Abdu’Allah

Virtual Tour


Press Coverage

Warhol Foundation Announces Fall 2021 Grantees
Art Forum

Sculpture of UW-Madison art professor brings message of ‘shared humanity’
The Capital Times

MMoCA receives significant grant supporting fall exhibition of work by UW–Madison’s Abdu’Allah
University of Wisconsin–Madison School of Education News

Faisal Abdu’Allah’s Blu³eprint hopes to spark conversations about the complexities of historical monuments

Watch Now: New ‘counter monument’ sculpture on State Street celebrates shared humanity

New sculpture by UW-Madison professor unveiled on State Street
The Daily Cardinal

Abdu’Allah sculpture unveiled on State Street in Madison
University of Wisconsin–Madison School of Education News

Faisal Abdu’Allah: DARK MATTER
Art-agenda Announcements

Barber, printmaker, professor finds humanity beyond race
University of Wisconsin–Madison News

Building a ‘Counter-monument’: Abdu’Allah unveils sculpture aimed at better representation
University of Wisconsin–Madison School of Education News

Best of Madison Editors’ Picks 2022
Madison Magazine

Abu’Allah’s Blu³eprint is honored as ‘Best New Piece of Public Art’ by Madison Magazine
University of Wisconsin–Madison School of Education News

Madison Artist Faisal Abdu’Allah’s DARK MATTER Invites Public Into His Journey of Transformation
Wisconsin Muslim Journal

How do Madison monuments represent our community?
Madison Magazine

Who are the Prince Hall Masons? Exhibit shines a light on their work
Wisconsin State Journal

Artist Faisal Abdu'Allah standing in front of his counter-monument modeled after him
Photo by Sarah Maughan.

Exhibition Support

Presenting Sponsorship for Faisal Abdu’Allah: DARK MATTER has been provided by the National Endowment for the Arts and The Andy Warhol Foundation for the Visual Arts. Major Sponsorship has been provided by Gina and Michael Carter, and Husch Blackwell. Additional support has been provided by Dane Arts with additional funds from the Endres Mfg. Company Foundation, the Evjue Foundation, Inc., charitable arm of the Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation.