Käthe Kollwitz
Born: 1867 (Königsberg (now Kaliningrad, Russia))
Died: 1945 (Moritzburg, Germany)
Käthe Kollwitz figures among the most important of German Expressionist artists of the early twentieth century. A sculptor and printmaker, she stands outside the organized movements of Brücke and Der Blaue Reiter in her more realist leanings. Still, she held in common with many artists of the German avant-garde a deep concern for the social issues of the day, especially, in her case, the industrial poor and victims of the crushing economic conditions in Germany after World War I that led to the Nazi takeover in the early 1930s. One of her most moving themes was the distraught mother cradling a sick or dying child, often under the shadow of a menacing death figure. There are few figures in the modern tradition who speak so eloquently to human tragedy as Kollwitz. She is best known for her powerful black-and-white etchings and lithographs that place her among the most important printmakers of her age.
Artworks
Selbstbildnis im Profil Nach Rechts [Self Portrait in profile to right]
1938
Zwei Schwatzende Frauen mit zwei Kindern [Two Chatting Women with Two Children]
1930
Tod und Frau, um das Kind ringend [Death and the Woman Struggling for a Child]
1911
Tod, Frau, und Kind [Death, Woman and Child]
1910
Mutter mit Kind auf dem Arm [Mother with Child in Arms]
1910
Tod und Frau, um das Kind ringend [Death and Woman Struggling for a Child)]
1911
Sitzender Mannlicher Akt [Nude Man Sitting]
1891
Frau mit Ubereinandergelegten Handen [Woman with Folded Hands]
1898
Tod, Frau und Kind [Death, Woman and Child]
1910
Maria und Elisabeth [Mary and Elizabeth]
1928
Abschied und Tod [Farewell and Death]
1923/24
Mutter mit Jungen, seine Arme um ihren Hals [Boy with Arms around Mother’s Neck]
1931