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James Cagle, Excavation, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.0
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
James Cagle, <em>Excavation</em>, 1974. 16mm color film (digitized), with sound, 5:00 minutes. Courtesy of the artist and the New York Filmmakers' Cooperative.
Neil Weilliver painting en plein
Alec Soth, Surf Ballroom, 1999. Archival pigment print, 39-13/16 x 49-15/16 inches. Courtesy the artist.
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Alec Soth, Mother and Daughter, Davenport, Iowa, 2002. Chromogenic print, 50 x 40 inches. Courtesy the artist.
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Alec Soth, Misty, 2005. Chromogenic print, 40 x 32 inches. Courtesy the artist.
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Alec Soth, Charles, Vasa, Minnesota, 2002. Chromogenic print, 50 x 40 inches. Courtesy the artist.
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Natasha Nicholson and Tom Jones, Standing Parrot Tulips, 2000. Digital image from large format camera. Photography © Natasha Nicholson and Tom Jones
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Natasha Nicholson, Thinking room view. Photography © Eric Ferguson
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