A complete list of exhibitions from 1979-2011 is available here
In this exhibition, the Madison Museum of Contemporary Art presents a selection of Lois Ireland’s Wisconsin landscape paintings. Ireland, born in Waunakee, Wisconsin and spending the majority of her life in the state, is known for her regionalist scenes of the 1940s and 50s. In 1942, at the age of fourteen, she caught the attention of John Steuart Curry, the first artist-in-residence at the University of Wisconsin, Madison. Curry encouraged her to study art and brought her into the newly-formed Wisconsin Regional Art Program.
Organized biennially, Young at Art presents works of art by Madison Metropolitan School District students in kindergarten through grade 12. The exhibition is the result of a long-standing collaboration between MMoCA and the school district’s Fine Arts Department. Each of Madison’s public school art teachers is invited to submit up to three works of art for the exhibition; these may include individual works as well as those made collaboratively.
In February 2015, MMoCA will present an in-depth and multifaceted exhibition by Eric and Heather ChanSchatz, New York-based artists whose work has been shown across the United States and internationally. The artists’ first major museum survey, this exhibition will present large-scale paintings created in conjunction with international communities, including American soldiers in Iraq, coal miners in Pennsylvania, Cairo citizens in the Arab Spring, and stateless children in Thailand.
In December 2014, the Madison Museum of Contemporary Art will present the first museum exhibition showcasing Narayan Mahon’s photographic journey through the unrecognized countries of Abkhazia, Northern Cyprus, Transnistria, Nagorno Karabakh, and Somaliland. With a selection of photographs from each of the artist’s five geographically-based series, Narayan Mahon: Lands in Limbo explores the day-to-day realities of living in countries that remain unacknowledged by the larger international community.
One of the most compelling voices in contemporary photography, Alec Soth captures offbeat images that uncover narratives of the American experience. From Here to There: Alec Soth’s America, the artist’s first major traveling survey in the United States, will be on view at the Madison Museum of Contemporary Art from September 13, 2014 through January 4, 2015. This exhibition, which was organized by the Walker Art Center in Soth’s hometown of Minneapolis, explores 15 years of Soth’s career, from 1995 to 2010.
A site-specific exhibition by Jason S. Yi will be on view in the State Street Gallery and lobby of the Madison Museum of Contemporary Art from August 23 to November 9, 2014. Jason S. Yi: A Fragile Permanence draws on phenomenology, contemporary installation, and the art historical tradition of landscape painting. From the spiritual significance of East Asian mountain peaks to the rugged sublimity of the American West, Yi taps into cultural mythologies of landscape as a point of departure to address visual perception, physical experience, and cognitive uncertainty.
StoryBook explores how stories are communicated in contemporary art. To illustrate the diversity of narrative methods, the exhibition draws upon works from MMoCA’s permanent collection by such artists as Robert Barnes, Richard Bosman, Roger Brown, Warrington Colescott, Todd Hido, and Erik Weisenburger, among others. Like the contemporary novel and related literary forms, contemporary art has sustained, challenged, and expanded traditional narrative structures.
Turn Turn Turn is an anthology of life’s joys and sorrows as visualized in modern and contemporary art. Inspired by the lyrical language of Ecclesiastes 3, which meditates on the circular nature of time as reflected in the seasons, the exhibition addresses the ongoing cycle of changing circumstances in the course of human events. Its title is taken from Turn! Turn! Turn! (To Everything There is a Season), a song Pete Seeger wrote in the late 1950s and whose lyrics came from the third chapter of Ecclesiastes in the King James Version (1611) of the Bible.
A Tumultuous Assembly explores the artistic legacy of collage, assemblage, and use of the found object. Initiated by Pablo Picasso, Georges Braque, and Marcel Duchamp in 1912–13, these radical approaches to artmaking revolutionized the nature and history of modern art. By mobilizing commonplace materials, collage-based techniques elevated the objects and detritus from everyday existence into the realm of fine art.
Drawn from MMoCA’s permanent collection, The Mystery Beneath is a companion exhibition to Real/Surreal in the main galleries. Including paintings, prints, and drawings, it explores the lasting traditions of Surrealism and Magic Realism as they developed in Wisconsin during the twentieth century.
This exhibition explores the interconnections between the real and the imagined in early modern American art, with an emphasis on Surrealism and Magic Realism. Real/Surreal will be on view in the museum's main galleries January 25, 2014 to April 27, 2014.
Widely regarded as the state’s most prestigious showcase of contemporary Wisconsin visual art, the Madison Museum of Contemporary Art’s Wisconsin Triennial is currently installed in spaces throughout the museum. The Triennial reflects the diversity of twenty-first century artistic practice and conceptual concerns.
I Dream Too Much: Paintings by Leslie Smith III will be on view in the State Street Gallery from June 8 through September 1, 2013. Featuring a focused selection of the artist’s work from recent years, alongside his newest canvases, I Dream Too Much will be Leslie Smith’s first solo museum exhibition.
Los Grandes del Arte Moderno Mexicano(Masters of Mexican Modern Art) showcases the artists who, more than any others, defined Mexican Modernism in the 1920s and 1930s: Manuel Álvarez Bravo, Frida Kahlo, Leopoldo Méndez, José Clemente Orozco, Diego Rivera, David Siqueiros, and Rufino Tamayo.
By the end of World War II, the photographic image had become ubiquitous in everyday American life. Photographs were commonplace in the tabloid press, for example, and in large-format news magazines like Look and Life, where they took precedence over text. The fine art photograph, however, as opposed to the commercial, scientific, or family photograph, was primarily an expression of the artist’s vision, not a simple record of an event.
Children who receive high-quality art education develop visual literacy and creative problem solving skills that are vital for succeeding in today’s world. Presenting works of art by Madison Metropolitan School District students in kindergarten through grade twelve, Young at Art highlights the high caliber of studio art instruction in Madison’s public schools as well as the integration of art history and cultural studies in the visual art curriculum.
The British video artist Simon Payne creates digital works that investigate the interplay of color, movement, and abstract form. Five of Payne’s short videos will be screened in MMoCA’s New Media Gallery, adjacent to the main galleries on the second floor, in conjunction with Ellsworth Kelly Prints, from January 19 through April 28, 2013.
For over fifty years, Ellsworth Kelly (b. 1923) has been recognized as a leading American painter and sculptor. His art of emphatic form and vibrant color--lyrical and serenely self-confident--is a finely wrought distillation of shapes observed in nature. Kelly’s prints, no less than his paintings and sculptures, have their own distinctive voice. They register equally important aspects of his vision: intimacy, delicacy, and ethereality.
Where color in art is freed from describing the objective world or telling a story, the experience of color itself becomes the subject. As an adjunct to MMoCA’s exhibition of prints by the great colorist Ellsworth Kelly, The Force of Color addresses the role of strong color in the abstraction of the 1960s, the decade that witnessed the recognition of Kelly as a major artist.
Drawn from the permanent collection of the Madison Museum of Contemporary Art, The Singing Bird Room of Robert Lostutter surveys the work of one of the leading Chicago artists of recent decades. In the early 1970s, a sojourn in Mexico and his love of nature led Robert Lostutter to seize upon a theme that came to define his mature style. A superb draftsman and watercolorist, he began making portraits of male figures masked with the plumage of tropical birds or the petals and leaves of orchids. Lostutter’s mythic creatures are both disturbing and radiantly beautiful, fusions of animal and human, nature and culture.
September 9 to December 30, 2012
A series of digitized Structural films are on view through December 30 in the New Media Gallery. Often categorized as a minimal strain of experimental cinema, Structural films are built around an underlying organizational pattern or predetermined conceptual framework. They employ calculated manipulations of content that suggest perceptual puzzles are at play, and thus call attention to the film-viewing process.